![]() To Adler, these imagination exercises are most effective when they inform the vocal and physical choices of an actor. To make informed choices, Adler encourages outside research, claiming that no actor possesses all of the life experience needed to play every role a dedicated actor should research and gather firsthand experiences to appreciate a character’s occupation, hobbies, and so on.Īdler also relies on sensory imagination exercises to help an actor fully imagine the given circumstances and backstory of a character, believing that “the theater exists 99% in the imagination.” For example, Adler’s students might be charged with selecting a random line from an unfamiliar play and using their imaginations to create the world and circumstances surrounding that line to perform it as fully as possible. ![]() Notable performers influenced by Adler include Robert De Niro, Martin Sheen, Salma Hayek, and Marlon Brando.Īdler’s technique is grounded in body, voice, and imagination, and promotes making specific character choices that are different from the actor’s own self. Adler’s conflicting views with Strasberg caused her to leave the Theatre, though her career as an esteemed theatre educator continued to flourish. Adler, one of few American actors to study directly with Constantin Stanislavski, was originally a member of the Group Theatre alongside Sanford Meisner and Lee Strasberg. Ever heard a director say, “Make a choice!”? He or she probably borrowed a page from Stella Adler’s book on acting.
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